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  <url>
    <loc>https://www.aubreepenney.com/portfolio</loc>
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    <lastmod>2020-11-02</lastmod>
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      <image:title>portfolio - Click here to visit the official website!</image:title>
      <image:caption>Eva Wŏ, Loaded Fries, 2018. Digital collage for light box.</image:caption>
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      <image:title>portfolio - Eva Wŏ, Loaded Fries, 2018. Digital collage for light box.</image:title>
      <image:caption>Eva Wŏ, Loaded Fries, 2018. Digital collage for light box.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c81768d2727be1d59bf0d20/1564624648550-SXCSRYAT1KAQK6AV6EXJ/IMG_6516-color+balanced.jpg</image:loc>
      <image:title>portfolio - Negative Space (Copy)</image:title>
      <image:caption>Sully Allen, Jesse Butcher, Zahria Cook, Dehanza, Mulanre "Eddie" Gan, Mary Jo Karimnia, Melanie Manos, Jeremiah Matthews and Kayla Selby, Natalie Minik, Alex Paulus, Cat Peña, Nick Peña, Terri Phillips, Corkey Sinks, Joey Slaughter, Jessica Weaver, Terri Weaver, and Tad Lauritzen Wright Engaging with the architecture and history of Crosstown and the residues of both its predecessor Sears and its subsequent transformation, group exhibition Negative Space operates within unused miniscule spaces in public areas of Crosstown Concourse. Numerous holes, nails, and small architectural elements pockmark walls and columns, bearing evidence of past usage. Negative Space invites current Artists in Residence at Crosstown Arts as well as local community artists to embrace these underutilized spaces for art display. Featuring both site specific installations as well as a performance by Melanie Manos, Negative Space offers artists and audience members an opportunity both to explore the Concourse and to consider scale and intimacy in public art display. Made possible by the Crosstown Arts Residency Program. | Graphic design by Jeremiah Matthews. Crosstown Concourse, Memphis, TN July 25-August 25, 2019 Photos by Aubree Penney 2019</image:caption>
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      <image:title>portfolio - Labelled (Copy)</image:title>
      <image:caption>an exhibition exploring the relationship between exhibition labels and power in conjunction with [Untitled} a public conversation on titling and contemporary art production and display Louise Ashcroft, David Raymond Conroy / Karl Smith / Rockstar Games, Nicola Dale, Decolonial Cultural Front, and Arri Lemons | July-August 2017 | Labelled at EnclaveLab, [Untitled] at Chisenhale Studios Featured images: 1) detail of Arri Lemons’ Self Preservation 2015 | 2) and 3) installation and detail of Decolonial Cultural Front’s #decolonizethisplace 2016 | 4) installation of Nicola Dale’s Circular Reading 2017 Generously made possible by Chisenhale Studios, MFA Curating Goldsmiths, and EnclaveLab</image:caption>
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    <lastmod>2025-11-14</lastmod>
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      <image:title>Work - a speech showed the chair in the middle</image:title>
      <image:caption>an experiment in creating works through audio description Danielle Ash, John Harris, Laura Ní Fhlaibhín, and Paul Wood | February 2018 | EnclaveLab, London | curated by Aubree Penney | seating guest curated by Annika Thiems a speech showed the chair in the middle reimagines audio description as a form of artistic practice, upholding sound as a means of creating and having a visual experience. By elevating audio description from the realm of a translative act, it instead becomes rather a primary mode of production, a fictioning with the potential to be shared by people of all vision capabilities. Workshop participants developed their imagined work in a workshop, engaging with multiple styles of audio descriptions: objective/conventional museum, subjective (the new style advocated for by disability scholars Rosemarie Garland Thompson and Kristin Lindgren), and Gertrude Stein’s exploration of object description Tender Buttons. Special thanks to Nora Almes, Milda Batakyte, Sophie Bownes, Lucy Cowling, Ashley Janke, Andrew Price, Riet Timmerman, and all artists involved. Generously supported by MFA Curating, Goldsmiths College Private view photos courtesy of Sam Greer | Installation photos courtesy of Paul Wood</image:caption>
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      <image:title>Work - The Long Ongoing Moment</image:title>
      <image:caption>Laura Agustín, Cora, KLW, L., John Muse, Laura Ní Fhlaibhín, and Linda Stupart | May 2018 | Crossbones Garden, London | curated by Aubree Penney The Long Ongoing Moment publication was produced in conjunction with the exhibition Outside at Crossbones Garden, a memorial garden commemorating a mass graveyard in Southwark with a long-standing relationship to sex work. The resulting publication engages with an embodied sense of history, utilizing artwork as well as academic and creative writing as sites of resonance across time and space to consider death, memorialization, and sex work. The digital version can be accessed at https://thelongongoingmoment.weebly.com. Images 1) L.’s Untitled 2017, digital photograph 2) The publication cover taken from Linda Stupart’s installation and performance some men have mistaken me for death 2017-18 at Mimosa House Generously supported by Bankside Open Spaces Trust, Friends of Crossbones, the Goldsmiths Alumni and Friends fund, MFA Curating Goldsmiths, and private donations.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c81768d2727be1d59bf0d20/1604423212327-FI5W8FY5NCAGBW2LALVT/2020-11-03+%285%29.png</image:loc>
      <image:title>Work - Watershed</image:title>
      <image:caption>Linda Stupart Watershed 2020, video, 11:06</image:caption>
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    <image:image>
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      <image:title>Work - Click here to visit the official website!</image:title>
      <image:caption>Eva Wŏ, Loaded Fries, 2018. Digital collage for light box.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c81768d2727be1d59bf0d20/1604442489175-HQE3LIGSVV5VV66YRZ77/IMG_6569.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Dehanza Visions of #BlackGirlhood</image:caption>
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      <image:title>Work</image:title>
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      <image:title>Work</image:title>
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      <image:title>Work - Worth a thousand words</image:title>
      <image:caption>Project Duna | Online | November 2020 The curatorial collective Call You in the Morning organises Worth a thousand words, a toolkit workshop for artists working across different media. In this workshop, we will explore and think through different tools to create accessibility around an artwork, experimenting with visual descriptions and empowering creatives to feel more comfortable in being part of the process of making their work more accessible. Every participant is invited to bring an artwork to this session, and together we will write a visual description of the piece. The workshop will last for two hours, aiming to create an environment of collaboration and conversation, exploring together how tools to optimise accessibility can be creatively generative in and of themselves. Results of this workshop can be found on the IGTV for @projectduna</image:caption>
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      <image:title>Work - Word a Thousand Words: Part II</image:title>
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      <image:title>Work</image:title>
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      <image:title>Work</image:title>
      <image:caption>The British Library | Tate Modern | Online and London, UK | October 2019-2021 African Business Leaders Library, African Musicians Library, American Chefs Library, American Tech Innovators Library, and the Great Migration Library | Various | 2021-2022 As a contracor for Tate Modern, I managed the online public-generated narratives, platform cataloging and archiving story submissions and curating the public online story archive. I then joined the Shonibare Team as a contractor, researching and editing new iterations of the Library projects to align with Shonibare standards and the vision for each particular project.</image:caption>
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      <image:title>Work</image:title>
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      <image:caption>Wendy Red Star, The Soil You See... (2023). Photo courtesy AJ Mitchell Photography.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c81768d2727be1d59bf0d20/1744213934501-O6H93AAELFG9AR3N75WW/Galanin_Imaginary+Indian.jpg</image:loc>
      <image:title>Work - Nicholas Galanin, The Imaginary Indian (Totem Pole), 2016</image:title>
      <image:caption>an ornate totem pole is mounted on a wall, covered in a pastel wallpaper of peaches and lemons</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c81768d2727be1d59bf0d20/1747165963170-XIS2G9AV7AIXPZRYJ9KF/Banerjee_Witness.jpg</image:loc>
      <image:title>Work - Rina Banerjee's "In Mute Witness..." 2015/2023</image:title>
      <image:caption>A figure dreaped in green and purple petals, with spindles for legs, hovers above the ground, lifted by a stand. Bold yellow eyes and red lips face front, with quills emerging from their dark hair.</image:caption>
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      <image:title>Work - Make it stand out</image:title>
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